![]() ![]() Super 35 ARRI Mini vs 65mm ARRI 65 Credit: manuelluebbers Back in the days of celluloid, DPs who cut their teeth as ACs preferred working in Super 16, as it was easier to nail your focus. Smaller formats are often more forgiving due to them indirectly creating a deeper depth of field, which keeps more of the image in focus. The downside of this, however, is that the job of the 1st AC will become more difficult as it is harder to consistently keep the focus sharp. On a larger sensor, creatives will need to utilize longer focal lengths and reposition their cameras, which in turn may create a shallow depth of field, meaning that more of the background will be out of focus and the subject will be further separated from the background. Even though there are many attributes to a "cinematic" image, this effect does allow a more cinematic look as it creates a three-dimensional feel to the image. This is why the depth of field is also (indirectly) affected across formats because of the difference in the field of view. However, if we utilize a smaller sensor, such as a Super 35, Micro Four Thirds, or Super 16 sensor, they will capture a small area of the image circle, in turn giving you a different field of view. If we take a full-frame lens as an example, with an image circle of roughly 43mm, we will see that a full-frame sensor at 36mm by 24mm will be able to capture the entire image that the lens produces. ![]() The smaller the sensor is, the tighter the image it will record. Understanding which format will help you decide which camera and sensor sizes will best serve your production with ease.Įach sensor size format has unique characteristics, and it's important to know how they can affect the field of view, depth of field, grain, lens choice, and price point of your camera package. In Depth Cine breaks down the five most popular formats-Super 16, Super 35, Full Frame, 65mm, and IMAX-and the effects of each sensor size. While there are loads of different cameras with loads of different formats and sensor sizes, there are five that are most commonly used in film production today and have been standardized by film history. The size of the sensor area can vary depending on the camera you are using, with each sensor size or format having a subtly different look that can affect the overall visual tone of your project. While it makes sense that a bigger sensor can gain more information than a smaller one, producing better images, there are major perks to a smaller sensor. The size of a camera's sensor determines how much light it can gather to create an image, at least in part. ![]()
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